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Tiefland (opera) : ウィキペディア英語版
Tiefland (opera)

''Tiefland'' (or ''The Lowlands'') is an opera in a prologue and three acts by Eugen d'Albert, to a libretto in German by Rudolph Lothar. Based on the 1896 Catalan play ''Terra baixa'' by Àngel Guimerà, ''Tiefland'' was d'Albert's seventh opera, and is the one which is now the best known.
==Performance history==

''Tiefland'' was first performed on November 15, 1903 at the Neues Deutsches Theater in Prague, with only limited success. Part of the reason for the lukewarm reception may have been because the house's leading dramatic tenor, Wilhelm Elsner, had died suddenly not too long before the opera's premiere, forcing another singer to learn and perform the role of Pedro in a relatively short amount of time.
For its next performance, ''Tiefland'' was revised by D'Albert and revived in Hamburg and Berlin in 1907, where it played to long runs.〔
*Upton, G., 1928〕 Its American premiere took place at the Metropolitan Opera in New York on November 23, 1908 with Emmy Destinn and Erik Schmedes in the two leading roles.〔(''Tiefland'' ) Elizabeth Forbes: Grove Music Online, accessed April 9, 2007.〕
The opera is fairly regularly performed in Germany and Austria, with recent new productions at the Hessisches Staatstheater Wiesbaden in April 2007, the Volksoper Wien in October 2007 and at Deutsche Oper Berlin, with Torsten Kerl as Pedro and Nadja Michael as Marta, in November 2007. Performances outside German speaking countries have tended to be more sporadic. ''Tiefland'' was performed at the Ankara Opera House in 1951 in a production directed by Carl Ebert with Semiha Berksoy as Marta. It also received a major revival at Washington Opera in 1995 with its first major US production in 81 years, conducted by Heinz Fricke and directed by Roman Terleckyj.〔Rothstein, E. 1995〕
In addition to Schmedes and Destinn, notable past performers have included: Kirsten Flagstad who made her stage debut in 1913 at the age of 18 singing the role of Nuri at the National Theater in Oslo; the young Maria Callas who sang the role of Marta at the Olympia Theatre in Athens during the 1945/1946 season; Montserrat Caballé who, like Callas, sang Marta early in her career; and the Danish tenor, Vilhelm Herold who was considered by d'Albert to have been the ideal Pedro.〔Hein, M., 1996〕 Richard Tauber first performed the role at Dresden in 1918, and recorded the two principal arias in 1928. It remained a favourite role, which he performed widely until 1940 in Switzerland.
The best-known film adaptation of the opera was by the German director Leni Riefenstahl, with Riefenstahl herself playing Marta. The film, begun in 1940, but not released until 1954, used Roma slave labor from a German transportation camp for some of the extras, many of whom were sent to Auschwitz before the end of the war.〔Bach, S., 2007〕

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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